THE FINAL COUNTDOWN: My debut collection, CALLS FOR SUBMISSION, will be released May 15th (but you can pre-order from Pelekinesis now, if you’d like). That isn’t that far away, and to get pumped for the big day, I will be showcasing the awesome blurbs the collection has received. Every author that we queried has influenced me in some vital way, and as a thank you and token of my gratitude for their time and effort, I’ve written a little about each person and what their work has meant to my work.
This week features very kind words from two masters whose work I’ve both adored for several years: Richard Gavin, a master of mysticism and the macabre, and Orrin Grey, the master of teratology and the new Gothic.
I am the one who is in awe! I don’t throw around the word mystic loosely. I learned last week that in some literary circles, being termed mystic is anathema. But, man, when I say mystic in regards to an artist, that refers to a very select chosen few (chosen as in not by me, but some higher calling): Leonora Carrington, William Burroughs, William Blake, Remedies Varo, Percy Shelley, Frida Khalo, Edgar Allan Poe (you balk? Go read Eureka, fool!), etc. You’ll notice those people are all dead. Well, Mysticism, like Poetry, belongs to a dying breed. But there are still a few out there navigating the unseen seas, among them: Alex Grey, Carrie Ann Baade, and Richard Gavin!
To me, Richard Gavin’s writing is in direct correlation with the darker aspects of Sublimity and Dark Romanticism, all of which often intersects at very strange, mysterious, and alchemical topographies. In his latest collection, SYLVAN DREAD: TALES OF PASTORAL DARKNESS, he explores these topographies, as well as the lies we have told ourselves about Nature to ignore what might be beyond the veil beyond human civilizational presumptions. It was one of the collections that really stuck with me last year. To learn more about his work, please visit his website here.
Just as Richard Gavin has opened my eyes to the mystical possibilities in writing Weird and speculative fiction, Orrin Grey has brought me more sympathy and understanding to our relationship with monsters. Be it primordial beasts or a B-movie zip-up costume, works like NEVER BET THE DEVIL, PAINTED MONSTERS, and the non-fiction collection MONSTERS FROM THE VAULT, explore teratology to its fullest, while also staying in commune with the Gothic traditions of Edgar Allan Poe and M. R. James. Check out his skeletal perambulations at his website: Who Killed Orrin Grey?
Many thanks, Richard and Orrin, for the time and for the words!