I am excited to be on tonight’s Lovecraft Ezine Chat where I’ll be joining Mike Davis, Acep Hale, and crew to discuss my short story collection, Calls for Submission,and all the dark, sundry things within.
If you’d like to tune in LIVE you can do so here at 6 pm EST: https://youtu.be/9GtcQ-Vsw14. But if you can’t catch it (because like, you are at HPLFF), you can always catch it later on in the week. There will be a podcast version available too, which I will post once I have the relevant linky links.
In June, Calls for Submission received another glowing review from Lovecraft eZine’s Acep Hale, who calls it: “the showcase of a writer with a deliberate and considered world view, intensely honed craft, and a calculated message. My only hope is the next work I read by her is of novel length.” I hope so, too!
This review is very thorough, touching on all of the stories, and hits on many points and intentions I had hoped readers would enjoy. It’s also the first time I’ve ever been compared to anyone in hip-hop, which is unexpected and also really fucking cool. I’ve always been humbled to find myself compared to a lot of awesome people in the past, but Ghost Face Killah alongside Gabrielle Wittkop, Leonora Carrington, and Francesca Woodman all in one swoop blows my mind!
Many thanks to Mr. Hale, Mike Davis, and Lovecraft eZine for giving Calls for Submission the attention and space!
Last week, an interview with Adrian Van Young went live at Electric Lit! In its introduction he calls Calls for Submission“a creepy-sad, smart and courageous collection that stimulates the intellect while inexorably pulling and pulling the heartstrings.” In addition to the collection, we discuss “reclaiming literary territory, “the female glance,” being a hot-weather Goth, Florida weirdness, and the non-intersectionality of literary circles.”
This is sort of a first. I did plenty of interviews in the past when I was promoting The Steampunk Bible, but they always focused on the artists and makers we featured in that book. I’ve never really had to discuss myself or my own work up until this past few months and I have to say it is way different and more difficult to do that than to discuss the work of others. In the few instances I have been interviewed about my own work, usually the person has never read me, and that is even harder…BUT, in the case of Adrian Van Young, not only did he come prepared, he put the screws to me in the best of ways. When we finished the interview, conducted via email, I was left empowered by more knowledge of myself and my work than going in. That’s testament to an excellent interviewer, and I am very grateful to Mr. Van Young for his thorough questioning and conversation, and for Electric Lit for the space and support!
Next week, I’m heading down to the Southernmost part of the US to participate in the 37th annual Hemingway Days!
There are a lot of events throughout the week, and I am excited to be part of Wednesday’s evening readings alongside some of Florida’s best! Because speculative fiction isn’t exactly associated with Hemingway, I will be doing a mini-presentation on how his interest in pulp, crime, and action, alongside other aspects of craft, inspired some facets of my fiction. If you are in the Keys for vacation or for Papa festivities, please come by and say hi!
Here are the details, and you can find out about the rest of the events here:
7:30-10 p.m. “Voices, Places, Inspirations.” This evening of readings features authors Chuck Ball, Selena Chambers, Mandy Miles and Terry Schmida — plus a highlight appearance by Ted Geltner, author of “Blood, Bone and Marrow: A Biography of Harry Crews.” Presented by Literacy Volunteers of America-Monroe County, the event also includes a “meet the authors” reception. Key West Woman’s Club, 319 Duval St.
I am also excited to be near water. I haven’t traveled too much this year, and so I am ready to take it all in: the Symposiums, the literary pilgrimages, the Daiquiris, and of course the beauty of the Straits.
For those new here, CASSILDA’S SONG explores the feminine side of Robert Chambers’ (no relation) KING IN YELLOW, and features an all ladies table of contents. My story, “The Neurastheniac” is about Helen Heck, a failed beat/confessional poet/alchemist/junky, and what she uncovers from a series of trespasses through the abandoned suicide chambers (as mentioned in “The Repairer of Reputations”) during the 60s. It gets weird.
It’s a quickie–around ten minutes–and I discuss my influences for the story [Joan Vollmer, Sylvia Plath, Anne Sexton, Billie Holiday, Courtney Love (who incidentally plays Vollmer in the 2000 film BEAT)] and my love for mystic junkies like William S. Burroughs.
I haven’t done a speaking gig in a while, and I have forgotten how strange it is to hear one’s own voice. It’s even stranger to hear the topics my voice are discussing. Not to dwell, but I sound shellshocked, and perhaps I am. Surreal? Oh, yes. In the best way.
Michael also sat down with my awesome editor, Joe Pulver, and artist Steve G. Santiago, who did the stunning cover. (I had no idea that image was photo manipulated!) So, yeah, some good behind the scenes stuff, here.