33 ⅓: Babes in Toyland’s Fontanelle by Selena Chambers

So…my 13-year old self just swooned through the future to fall into my 39-year old arms as a major dream has come true… 

I will be writing the 33 ⅓ series installment on the band that changed me forever–Babes in Toyland–and their seminal album Fontanelle! 33 1/3 Books made the announcement this afternoon, revealing their next 15 picks from an open call of 400 submissions earlier this year.

Coming Fall 2022, here’s a short summary of what you can expect:

Babes in Toyland was one of the most influential and forgotten bands of the 1990s. Despite creating a unique brand of sisterhood that inspired fans to create Riot Grrl and legendary bands such as 7 Year Bitch, Bikini Kill, and yes, even Hole, the Babes’ story seems to only exist as footnotes to other more famous figures. The all-girl band rode the wave of the Minneapolis grunge scene crafting a unique sound composed of self-taught instrumentation and unabashed banshee raging vocals. Their stage presence was enigmatic, their lyrics vitriolic, and their Kinderwhore fashion ironic and easy to emulate. But what made them most inspiring was their ethos. 

While all female, the band insisted their music wasn’t a political statement but a personal expression. They would dismiss labeling their act as feminist but their actions sent a positive message of what a matriarchal system within music could look like. But then they let the patriarchy in via their major label contract with Warner Bros., and the unique frission of the Babes would never be the same again. Now, almost 30 years after their most seminal record, Fontanelle was released, the legend of the band is being resurrected and respun to reclaim their proper space and context in the history of music and women in rock.

I’ve been a long-time fan of this series, and getting to share my love of the Babes with the series editors and readers is an amazing opportunity that has left me humble and excited to write again. I am so excited to see the other albums and the wonderful range on display–Maria Callas, Kendrick Lamar, George Michael, and Britney–and really can’t believe I’ll have a contribution among them. I can’t thank 33 1/3 enough for including me!

BOOK RELEASE: MECHANICAL ANIMALS

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Out November 27th. Cover art: Aaron Lovett

While it is true Marilyn Manson’s MECHANICAL ANIMALS has turned 20 years old, another MECHANICAL ANIMALS has been just born, and I hope will grow up to be as long-lasting and epic.

This is the anthology I co-edited with the brilliant Jason Heller (whose STRANGE STARS came out earlier this year, and needs to be on your gift list, if not already). While I haven’t talked about it too much, this project has been 5 years in the making, and it’s hard to believe it is finally out and about in the wild.

This has been a dream project, and I am thankful to Jason for being an ideal collaborator (not to mention friend), to Josh Viola, Dean Wyant, and the team at HEX Publishing for putting their faith into the book, and, most of all, to our contributors who turned this antho’s theme into a conversation about biomimcry, automata, and our complex relationship with nature and technology. Needless to say, Jason and I couldn’t do this with out their wonderful words and worlds.

We will be celebrating the book’s release at Tattered Cover (Colfax location) in Denver, on December 5th. Joining us will be Stephen Graham-Jones, Molly Tanzer, and Carrie Vaughn. It’s going to be a lot of fun, and if you are in the area, please stop by and say hi!

So, to the nitty gritty details, then:

MECHANICAL ANIMALS: TALES AT THE CRUX OF CREATURE AND TECH is a speculative fiction safari that riffs on the traditional ideals of automata to explore our strange and competitive relationship with the natural world. Biomimicry is no stranger to literature, with canonical authors like Nathaniel Hawthorne, Hans Christian Anderson, and Jules Verne setting the tone for a trope that has expounded and expanded upon what exactly separates humans from the animal kingdom as well as the boundary between machines and living beings. Featuring 15 original stories by today’s top science fiction and fantasy authors and contextual mecha-fauna essays by artist and Insect Lab Studio maker, Mike Libby, and SF encyclopedist and author Jess Nevins, Mechanical Animals presents a biomimicry menagerie of animalistic machines that will blur the lines between what is and isn’t nature’s design.

Contributor’s Include: Mike Libby, Jess Nevins, Tessa Kum, Delia Sherman, Maurice Broaddus, Sarah Hans, Lauren Beukes, Jesse Bullington, An Owomoyela, Stephen Graham Jones, Hans Christian Andersen, Molly Tanzer, Aliette de Bodard, Nick Mamatas, Nathaniel Hawthorne, Kat Howard, Michael Cisco, Adrian Van Young, Robert T. Toombs, Joseph S. Pulver, Jr., Alistair Rennie, Jules Verne, Caroline Yoachim, Carrie Vaughn

It has been called “Mind-stretching tales of synthetic fauna….” by Kirkus.

ORDERING (If you c

HEX Publishing

Amazon

Indiebound

 

Barnes & Noble

Happy Book Release Day to MIXED UP: COCKTAIL RECIPES (and Flash Fiction) FOR THE DISCERNING DRINKER (and Reader)

Mixed Up

I know this may look familiar, but while bookstores and contributors have been receiving copies early, today is the official release date for MIXED UP: COCKTAIL RECIPES (and Flash Fiction) FOR THE DISCERNING DRINKER (and Reader).

Mixologists and Fabulists are going to be thrilled with this new anthology from Nick Mamatas and Molly Tanzer. Published by Skyhorse Publishing, MIXED UP is a lovely new gift book that pairs fantastic fiction with annotated and updated recipes.

My story, “Arrangement in Juniper and Champagne,” riffs on the French 75. It’s about Hannah Höch, friendships strained by adulthood, and of course, public drinking.

And, man, in addition to having an excuse to write about all of that, I am honored to be sloshing about with these other amazing contributors:

• Maurice Broaddus
• Nick Mamatas
• Jim Nisbet
• Jarret Kobek
• Benjamin Percy
• Libby Cudmore
• Dominica Phetteplace
• Gina Marie Guadignino
• Tim Pratt
• Elizabeth Hand
• Robert Swartwood
• Cara Hoffman
• Jeff VanderMeer
• Carrie Laben
• Will Viharo
• Carmen Machado

If you enjoy pouring over great stories while decadent booze pours into you, order your copy here now.

Publishing Notes: Book Notes at Largehearted Boy

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This is my mixtape to the world that never jammed with me…or something like that. Actually, it’s a playlist for my collection, Calls for Submission, which came out last week. Each tale has its own song and in turn its own story.

I had a blast with this one. In some ways, the playlist had formed itself while I worked on the stories over the years. In other ways, a new serendipity formed as brand-new songs, like Chagall’s Sappho would send me back into “Remnants of Lost Empire” and created a more appropriate soundtrack than the music I had used while drafting. I also feel more connected with the work being able to reminisce on their creation in a way that wasn’t solely about words, but about evocation and feeling in a Schopenhauer-way.

I’ve been a longtime reader of Largehearted Boy since its early days, and have always viewed it as the epitome of what a blog can actually achieve with focus and citizenship. Just like LitHub felt like taking communion, having a playlist on Largehearted Boy is a wonderful and rare moment of self-actualization–HOLY CRAP I PUBLISHED A THING!

So, just to go back to riffing on Emmy D, I guess that does make this my mixtape to the world that I hope will take a listen and read back to me.

A thousand thanks to David Gutowski for giving me the space to jam literary with everyone!

You can check out my Book Notes to Calls for Submission, and access the playlist, here.

___

“From the dazzling mind of Selena Chambers, we are treated to fifteen provocative stories. Whether in collaboration with other writers, or on her own, her voice shines brightly through each tale.  Although these stories have an underlying darkness within them, they are still gloriously illuminating.”–Ann VanderMeer, co-editor of The Weird: A Compendium of Strange and Dark Stories and Sisters of the Revolution.

CALLS FOR SUBMISSION can be ordered from the publisher directly: Pelekinesis,

But it is also available from SQUARE and SPD and the following locations:

Prefer an ebook? Yes m’am, we can do that:

Liked what you read? Please leave a review at Amazon & Goodreads! Or share on your social network. The hashtag for the book is #CFSBOOK. You can find me and Pelekinesis on Twitter and Instagram at: @BasBleuZombie & @Pelekinetic.

 

RELEASE DAY: CALLS FOR SUBMISSION now available from Pelekinesis!!! Here’s how you can help!

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IMPORTANT LINKS:

CALLS FOR SUBMISSION can be ordered from the publisher directly: Pelekinesis,

But it is also available from SQUARE and SPD and the following locations:

Prefer an ebook? Yes m’am, we can do that:

Liked what you read? Please leave a review at Amazon & Goodreads! Or share on your social network. The hashtag for the book is #CFSBOOK. You can find me and Pelekinesis on Twitter and Instagram at: @BasBleuZombie & @Pelekinetic.

Thank you, again!

 

 

 

 

 

Paul Tremblay on Calls for Submission (PLUS UPDATES)!

THE FINAL COUNTDOWN:  My debut collection, CALLS FOR SUBMISSION, will be released May 15th (but you can pre-order from Pelekinesis now, if you’d like). That isn’t that far away, and to get pumped for the big day, I will be showcasing the awesome blurbs the collection has received. Every author that we queried has influenced me in some vital way, and as a thank you and token of my gratitude for their time and effort, I’ve written a little about each person and what their work has meant to my work.

So there are about 7 days left! In the past week or so, a few developments have occurred. First, more ordering options–including e-book versions–of Calls for Submission were made available. You can view them here.

Since then, Amazon announced it’s new diss to living writers, and I would like to personally urge you to purchase from Pelekinesis directly, or through Powell’s or your local indie bookstore. On those latter two, you may have to request a special order through the store and wait a hot minute, but ultimately you would be helping to defend working artists and contributing to a healthier literary community.  Plus, that would be helping me out too. However you want to do it, many thanks again to those who are pre-ordering!

Speaking of indie bookstores, I am excited to finally announce that I will be reading and discussing Calls for Submission at Tallahassee’s brand new and baller Midtown Reader.  That event will occur on June 16th at 5:30 pm.

Oof, and this was suppose to be about blurbs! It is, it is, my friends. Today’s blurb comes from the man who has single-handedly made Stephen King afraid of the dark:  Paul Tremblay!

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You all know Paul Tremblay as the best-selling rock star of A Head Full of Ghosts and Disappearance at Devil’s Rocks, but I first became hooked when I found a copy of The Harlequin and The Train at a friend’s house. My friend had already done the interactive bits, so that aspect was spoiled for me, but I got to see the final outcome, and it was just a light bulb for me.

The whole concept of an interactive text like this–mixing play with narrative responsibility and transparency–was just one of the coolest thwartings of how we read and consume mysteries. And it was one of the first contemporary examples of how to thwart and play within genre I’d come across. Something I needed badly at the time. Unfortunately, the experience is lost to a time and a place, as it was a limited edition of 400 copies and isn’t readily available now. But, believe me, the subversion of tropes and pop culture and all sorts of other surrealistic-punk principled goodness permeates in Ghosts and Devil’s Rock (which just came out in paperback). If you haven’t read Paul yet, rectify that now.

 

Publication Notes: CALLS FOR SUBMISSION Pre-order Updates

Yesterday was fun! I learned on Facebook that pre-orders of CALLS FOR SUBMISSION seem to be shipping out a bit early, and are showing up in the wild! I am so excited for everyone to read this, and if you have already pre-ordered, thank you so much and I hope it is enjoyable!

My own author copies also arrived, reminding me that there have been a few developments I’d like to share.

She Arrives
CALLS FOR SUBMISSION  will be released by Pelekinesis on May 15th.

In addition to ordering directly from Pelekinesis, CALLS FOR SUBMISSION is now also available from SPD and the following locations:

If you prefer an ebook:

If you are in Canada, it is also available at Chapters/Indigo. (h/t to Alexis for letting me know!).

While the official release date isn’t until May 15th, it is possible those who pre-order hardcopies might receive their copy sooner, but it isn’t guaranteed.

TO REVIEWERS AND INTERVIEWERS:  I still have a few ARCs available. If you are interested in reviewing CALLS FOR SUBMISSION, drop me a line at: LeFilleHST@gmail.com, or hit me up on Facebook or on Twitter @BasBleuZombie.

Cover Reveal: Calls for Submission!!!

It’s a book!!!

Light up your cigars, pop the bubbly, and behold my little bundle of horrors, Calls For Submission, my debut collection published by Pelekinesis.

 

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I am thrilled that it is adorned by Joan Horne‘s cute & creepy cover, and includes an introduction by Molly Tanzer, and collaborations with Jesse Bullington and Virginia M Mohlere.

Arriving this May.

If you are a reviewer, blogger, or podcaster, and would like an ARC, please contact either me at LeFilleHST[at]gmail[dot]com or Pelekinesis at pelekinesis[at]gmail[dot]com.

And if you are interested in helping me get the word out, please share!

Publishing Notes: 2016: The Year in Review

Reading! Writing! Editing! Yay!  As far as I can recall, this is what I was up too this year in publishing:

Fiction

Last Session

“The Last Session: The Facts in the Case of Clarissa Collyer.” Dunhams Manor Press Limited Edition Chapbook.

Longest fiction written to date. A whole novelette! Hot dang, I will conquer you yet, novel. This is a riff on Poe’s “Facts in the Case of M. Valdemar,” but through the exploration of a mother-daughter relationship estranged by adolescence and cancer, and of course Emo. I got some nice reviews and comments on this one, and I dare say the creep/cry factor is dialed to 11. Many thanks to editor Jordan Krall on letting me give this one the chance to breathe.

“The Şehrazatın Diyoraması Tour.” Reprint for WORDS zine, Hex Publishers. 

This anti-Orientalism Steampunk tale set in Turkey originally appeared in Sarah Hans’ STEAMPUNK WORLD (Alliteration Ink). I was stoked to give the Şehrazat another avenue and be a part of Hex Publishers’ weekly magazine WORDS. There is a lot of great FREE stuff over there–stories by Nisi Shawl, Jason Heller, E. Lily Yu, and Alvaros Zinos-Amaro–so if you haven’t checked them out, you are missing out. Thank you for the opportunity, Josh Viola!

“Arrangement in Juniper and Champagne.” MIXED UP: COCKTAIL RECIPES (AND FLASH FICTION) FOR THE DISCERNING DRINKER (AND READER), edited by Nick Mamatas and Molly Tanzer. Skyhorse, October 2017.

I am proud of this story for several reasons.

First, to be in anything edited by Nick and/or Molly has been on my goals list for a while, and many thanks to them for liking and accepting the story!

Second, all I really ever want to do is write fiction about cocktails, in this case the French 75.

Third, I’d been reading a lot of and about Hemingway this year, and had been toying with the Iceberg idea–something like “Hills Like White Elephants,” but from only women’s perspectives. Pair this with the constant ostracizing of women who don’t want to have children ever (by women), or define their being by their sexual prowess, or dream of fairy tale love to be complete–you got “Arrangement in Juniper and Champagne.”

Fourth, I had no idea what was coming in November, so I feel this was sort of a preamble for whatever changes to my writing that may bring. Read More

Publishing Notes: Interview, Tales of Mythic Adventure

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Courtney Love plays William Tell as Joan Vollmer in BEAT.

A few weeks ago, I sat down with Chaosium V.P., Michael O’Brien to discuss Joe Pulver‘s CASSILDA’S SONG, which they published, and my story therein, “The Neurastheniac.” Both the anthology and my story have been nominated for a World Fantasy Award.

For those new here, CASSILDA’S SONG explores the feminine side of Robert Chambers’ (no relation) KING IN YELLOW, and features an all ladies table of contents. My story, “The Neurastheniac” is about Helen Heck, a failed beat/confessional poet/alchemist/junky, and what she uncovers from a series of trespasses through the abandoned suicide chambers (as mentioned in “The Repairer of Reputations”) during the 60s. It gets weird.

It’s a quickie–around ten minutes–and I discuss my influences for the story [Joan Vollmer, Sylvia Plath, Anne Sexton, Billie Holiday, Courtney Love (who incidentally plays Vollmer in the 2000 film BEAT)] and my love for mystic junkies like William S. Burroughs.

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Selena Chambers plays at writing in CASSILDA’S SONG.

I haven’t done a speaking gig in a while, and I have forgotten how strange it is to hear one’s own voice. It’s even stranger to hear the topics my voice are discussing.  Not to dwell, but I sound shellshocked, and perhaps I am. Surreal? Oh, yes. In the best way.

Michael also sat down with my awesome editor, Joe Pulver, and artist Steve G. Santiago, who did the stunning cover. (I had no idea that image was photo manipulated!) So, yeah, some good behind the scenes stuff, here.

CASSILDA’S SONG is available in print and as an ebook.

Many thanks to Michael and the folks at Chaosium for the time and attention. Links below:

Interview with Joe Pulver.

Interview with moi.

Interview with Steve G. Santiago.