Selena Chambers

I imbibe words and consume past minds. As a result, I often awake next to strange sentences and forgotten meanings. I am the Bas Bleu Zombie.

WS CoverWhoops. I have been meaning to do an update for…two months?…and just haven’t. Blame the lassitude and election anxiety.

Anyway, as you may recall, Wandering Spirits: Traveling Mary Shelley’s FRANKENSTEIN is my travelogue through three key geography points in Mary Shelley’s seminal text. It was nominated for a Best of the Net a few years back and is available now as a bicentennial, special-limited edition designed and annotated by Yves Tourigny and Tallhat Press. I write more extensively about it here.

Only 200 copies will be made, and only then available for 9 months from its initial release.

So, current stats are:  there are 140 copies of Wandering Spirits: Traveling Mary Shelley’s Frankenstein left, with 4 months to go.

If you would like to purchase a copy, you can do so at the below links:

Order now on
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Courtney Love plays William Tell as Joan Vollmer in BEAT.

A few weeks ago, I sat down with Chaosium V.P., Michael O’Brien to discuss Joe Pulver‘s CASSILDA’S SONG, which they published, and my story therein, “The Neurastheniac.” Both the anthology and my story have been nominated for a World Fantasy Award.

For those new here, CASSILDA’S SONG explores the feminine side of Robert Chambers’ (no relation) KING IN YELLOW, and features an all ladies table of contents. My story, “The Neurastheniac” is about Helen Heck, a failed beat/confessional poet/alchemist/junky, and what she uncovers from a series of trespasses through the abandoned suicide chambers (as mentioned in “The Repairer of Reputations”) during the 60s. It gets weird.

It’s a quickie–around ten minutes–and I discuss my influences for the story [Joan Vollmer, Sylvia Plath, Anne Sexton, Billie Holiday, Courtney Love (who incidentally plays Vollmer in the 2000 film BEAT)] and my love for mystic junkies like William S. Burroughs.


Selena Chambers plays at writing in CASSILDA’S SONG.

I haven’t done a speaking gig in a while, and I have forgotten how strange it is to hear one’s own voice. It’s even stranger to hear the topics my voice are discussing.  Not to dwell, but I sound shellshocked, and perhaps I am. Surreal? Oh, yes. In the best way.

Michael also sat down with my awesome editor, Joe Pulver, and artist Steve G. Santiago, who did the stunning cover. (I had no idea that image was photo manipulated!) So, yeah, some good behind the scenes stuff, here.

CASSILDA’S SONG is available in print and as an ebook.

Many thanks to Michael and the folks at Chaosium for the time and attention. Links below:

Interview with Joe Pulver.

Interview with moi.

Interview with Steve G. Santiago.




Mina Loy’s Surreal Scene hints pretty accurately as to what one might expect from me. 1930. Source:

This is a pretty informal announcement, but I have been sitting on this all summer and I must unburden my soul, or else….

I have sold my first short story collection to Pelekinesis press! Entitled CALLS FOR SUBMISSION, it will be born into the world sometime in May of next year. We’re in the beginning stages of production, so there aren’t a lot of details to share at the moment, but…well, okay, here’s a few things:

  • Molly Tanzer is introducing it,
  • Jesse Bullington and Virginia M. Molhere will be making guest appearances,
  • and my story “The Venus of Great Neck,” will appear in English for the first time!

I am humbled by the enthusiasm and encouragement Molly, Jesse, and Virginia have offered me while trying to get all of this together, and I’m so thrilled they will be part of it.

I am also really excited to be working with Pelekinesis, which opened its doors in 2014. For those who haven’t encountered them yet, Pelekinesis “is an independent book publishing company focusing on the development of literary-minded authors and artists by embracing the evolving publishing paradigm and creatively supporting the skills of these talented individuals.” I’ve really been enjoying their titles which range from the erotic illustrations of Edward R. Beardsley in MR. ABOBAZIZ & THE NANCY, to the first children’s book fairy tale to feature a transgender princess in Greg McGoon’s THE ROYAL HEART. I have especially enjoyed Joelle Renstrom’s CLOSING THE BOOK:  TRAVELS IN LIFE, LOSS, AND LITERATURE, Marc Zegans’ THE UNDERWATER TYPEWRITER, and Ian Pyper’s CODEX OCULARIS. You can pursue more titles in their catalog here.

And, of course, stay tuned here for more details about CALLS FOR SUBMISSION!



romantic outlawsAugust 30 marks two major events in Romantic literature. Today is the day Mary Godwin Shelley was born in 1797, which lead to an infection in her mother’s womb. Thus the world lost its pioneering feminist and adventuress, Mary Wollstonecraft, ten days later.

This wabi-sabi truth of creation would haunt Mary and the pages of her most famous creation. In her own life, too, she strove to live within her mother’s ideals, and as a result, lead a very interesting and parallel life to Wollstonecraft’s. It is an obvious thesis, but not until last year has any biographer sat down to illustrate the various connections outside of academic and intellectual sympathies.

Enter Charlotte Gordon’s Romantic Outlaws. Telling both of Marys’ stories in alternating chapters, she makes great and thorough connections with their posthumous relationship, and as a result, really enhances any and all readings of Mary Shelley’s work. It is no surprise that it was the winner of the National Book Critics Circle award. It is, by far, my favorite resource for my own studies, and if you are looking to celebrate Mary Shelley today, or any day, honoring both her and her mother’s lives is a great way to do it. For more information on Romantic Outlaws, including purchasing details, check out Gordon’s website here.



Wandering Spirits:  Traveling Mary Shelley’s FRANKENSTEIN  has been out in the world for a few months, and I’m happy to report that, not only is it alive, but doing well! I have been getting thrills from seeing Book Selfies on Facebook (scrapbooked below), and getting cool shout-out on various Frankenstein related content like Orrin Grey‘s piece on the “9 Best Frankenstein Movies” for The I was especially honored to be interviewed by Nate Pedersen over at the Fine Books and Collectibles blog. If you want some “behind the music”* access to this project, you’ll certainly find it here.

Wandering Spirits selfies

Before you think I’m super creepy, I asked and obtained permission from all above. Many thanks to Nick Mamtas, Molly Tanzer, Larva Jane Parker, Travis Neisler (who won the Frankenstein 200 giveaway), and Anya Martin!

It’s also garnered some 5-star reviews at Amazon and on GoodReads:

Ross Lockhart wrote on both venues:

“A stunning presentation of Selena Chambers’ epistolary travelogue exploring the locales of Mary Shelley’s Frankenstein, this Tallhat Press chapbook includes breathtaking illustrations by Yves Tourigny, an afterword providing larger context and history of the travelogue, and extensive notes. Fans of Frankenstein would do themselves a favor to pick this up before it goes out of print in early 2017.”

Jake Marley wrote on Amazon:

“I am dearly hoping that Wandering Spirits will tutn out to be the first in a series of literary travel books. Selena Chambers brings us along for an unforgettable journey through the world of Frankenstein, offering up charming insight into the past, and into her subject.

The book felt like a really great escape, and with the beautiful artwork by Yves Tourigny it all came together is a perfect package.”

And over at Goodreads, Adam Gorman said that it was:

“A short but enjoyable investigation in epistolary form. I highly recommend this chapbook for anybody who works with or enjoyed Shelley’s Frankenstein.”

Reviews and social buzz are critical to writers and indie projects like this, so an infinite amount of thanks to the gentlemen above who took the time to review Wandering Spirits, and also to my friends and colleagues who have bought the book, posted awesome pics of it online, and helped me share the news, and spread the word! If you, dear reader, would like to help with further word-spreading, I am available for interviews or guest posts about this, or anything else, really. Just shoot me an email at:

As you may recall, Wandering Spirits: Traveling Mary Shelley’s FRANKENSTEIN is a bicentennial, special-limited edition designed and annotated by Yves Tourigny and Tallhat Press. Only 200 copies will be made, and only then available for 9 months (as of last June). So, current stats are:  152 copies are left, with 7 more months to go. If you would like to purchase a copy, you can do so at the below links:

Order now on
Order now on
Order now on

*Quoting friend J. T. Glover, who described it as thus, and I’m stealing because it makes me sound much cooler than I am.


This one fell through the blogging cracks for some reason. Nonetheless, this roundtable curated and conducted by Acep Hale is a great vehicle for showing how nuanced the horror genre is, but also how many voices are out there improvising it.

I was honored to be part of the “Quiet Horror” panel with Kristi DeMeester, C.M. Muller, Nathan Carson, and Mehitobel Wilson.

Hukilau selfie

Hi, I’m Selena. Enchanté.

Between the release of Wandering Spirits: Traveling Mary Shelley’s Frankenstein and the World Fantasy Award nomination, I’ve noticed a bit more traffic here, which means a few more people other than my best friend and mother may be curious who Selena Chambers is and what she’s all about. So, without a further ado, let me introduce myself…

I have been writing professionally for about twelve years now. You name the type of writing, and I’ve probably done it. Journalism? Yes. Fashion copywriting? Oh, yeah. Travel writing? Check. Editing? Check. Eulogy writing? Oddly, yes. Prize-winning fiction? Eh…well, some of my fiction has been nominated for things…”Of Parallel and Parcel” was nominated for a Pushcart, and just a few weeks ago my latest story, “The Neurastheniac” was named a World Fantasy Award finalist.

My non-fiction has garnered some laurels as well. My travelogue Wandering Spirits: Traveling Mary Shelley’s Frankenstein was nominated for a Best of the Net award by the editors of the Non-Binary Review, where the series appeared, for the first time as a whole, in their Frankenstein issue. You can download that issue for free here. My first book, The Steampunk Bible, was co-written with Jeff Vandermeer and was nominated for a Hugo and World Fantasy award, and won the Steampunk Chronicle’s 2012 Reader’s Choice Award.

Now, you may be scratching your head and asking:  “I thought some guy  named S. J. Chambers was attached to that.” It’s true, but that guy was me. Up until Spring 2015, I was publishing as S. J. Chambers, but decided to drop my initials for reasons I wrote about here.

While I love exploring other forms of writing, fiction has been and always will be my true passion. I prefer to write about the “asterisks” of history, as Mina Loy wrote in her “Library of the Sphinx” essay. I am very interested in the women that have been resigned to be footnotes in history, and I have slowly been working on a mythos of sorts that involves a secret society of these forgotten maidens, The Bas Bleu. They appear in some shape or form in several of my stories, including “The Neurastheniac,” and occupy most of my current fictional endeavors. Other stories they appear in include “Remnants of Lost Empires” (The Starry Wisdom Library) and “The Veils of Sanctuary” (Sisterhood, forthcoming).


“The Neurastheniac” appears in Cassilda’s Song, edited by Joseph S. Pulver, Sr., and published by Chaosium Inc.

Most of my stories appear in anthologies, but there are a few stories out on the internet available for free:

“Of Parallel and Parcel” is a portrait of Virginia Cleem before she became Virginia Poe. It was first published on Mungbeing magazine, Issue #30 : Secrets.

“The Şehrazatın Diyoraması Tour” is an anti-Orientalist, steampunk tale set in Constantinople, and is available at the new literary magazine WORDS over at Hex Publishing.

Information about my other previous work can be found in my somewhat updated bibliography here.

My current projects include:

A newly annotated and illustrated special, limited bicentennial edition of Wandering Spirits: Traveling Mary Shelley’s Frankenstein, published by Tallhat Press and available for purchase at Amazon. Fine Books and Collectibles magazine just ran an interview with me on their blog about the project.

The Last Session: or, the facts in the case of Clarissa Collyer is a limited edition chapbook from Dunhams Manor Press. The copy reads: “Clarissa Collyer is having problems growing up. Among the usual teenage problems of identity and independence, she also has to care for her mother, whose soul is stuck in her cancer-ridden body. A modern riffing on Edgar Allan Poe’s “The Facts in the Case of M. Valdemar,” this weird bildungsroman tale from Selena Chambers frays the threads between cutting the mortal coil and the umbilical cord.”

Mechanical Animals is a crossed-genre anthology looking at the history, trend, and relevance of biomimicry. I am co-editing it with the awesome, Hugo-award winning Jason Heller, and it will be published through Hex Publishing.

If all of that isn’t exciting enough, next May will see the release of my debut collection, Calls for Submission, through Pelekinesis.

Baby Johnson

My greatest collaborator, Baby Johnson.

Other than all that, I am a Lit-Nerd, Francophile, Bibliophile, and dromomaniac. In addition to writing, I love listening to music, analyzing art, dancing the charleston and shimmy, mixing cocktails (possibly related to the first thing), playing my telecaster, playing Fallout, sauntering in the woods, swimming in the ocean, cloud gazing, and traveling to various literary shrines to pay pilgrimage to my betters. When I’m not doing any of that, I’m hanging out with my Boy and my cat.

Phew. Well, that’ll do it for starters. If you’d like to introduce yourself in the comments, please say hi, and if you’d rather lurk around, I invite you to sign up for this page for updates and news of those vaguebook things I alluded to earlier. You can also keep up with me at Facebook or at Twitter: @basbleuzombie.

Thank you so much for stopping by. I hope some of this was informative and you’ll come back soon!

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