I’m packing on up for my flight to Denver tomorrow. I’m really excited to be visiting the area again, and finally visiting the famous Tattered Cover bookstore in Colfax, Denver.
I will be there Wednesday, December 5th celebrating the release of MECHANICAL ANIMALS: TALES AT THE CRUX OF CREATURE AND TECH with my co-editor Jason Heller, and contributors Stephen Graham-Jones, Molly Tanzer, and Carrie Vaughn. It’s going to be a really great reading with signings to follow, and if you are in the Denver area I hope you will come by and say hi!
Yesterday was fun! I learned on Facebook that pre-orders of CALLS FOR SUBMISSION seem to be shipping out a bit early, and are showing up in the wild! I am so excited for everyone to read this, and if you have already pre-ordered, thank you so much and I hope it is enjoyable!
My own author copies also arrived, reminding me that there have been a few developments I’d like to share.
In addition to ordering directly from Pelekinesis, CALLS FOR SUBMISSION is now also available from SPD and the following locations:
While the official release date isn’t until May 15th, it is possible those who pre-order hardcopies might receive their copy sooner, but it isn’t guaranteed.
TO REVIEWERS AND INTERVIEWERS: I still have a few ARCs available. If you are interested in reviewing CALLS FOR SUBMISSION, drop me a line at: LeFilleHST@gmail.com, or hit me up on Facebook or on Twitter @BasBleuZombie.
I’ve blinked a thousand times and the words haven’t changed, so…guess what? I’m a World Fantasy Award Finalist for my short story “The Neurastheniac,” which appears in Joseph S. Pulver, Sr’s CASSILDA’S SONG (Chaosium), also a WFA finalist for best anthology.
CASSILDA’S SONG explores the feminine side of Robert Chambers’ (no relation) KING IN YELLOW, and features an all ladies table of contents. My story, “The Neurastheniac” is about Helen Heck, a failed beat/confessional poet/alchemist/junky, and what she uncovers from a series of trespasses through the abandoned suicide chambers (as mentioned in “The Repairer of Reputations”) during the 60s. It gets weird.
All of the stories in here are beautiful, visceral, and each one unforgettable–just check out this TOC if you don’t believe me:
“Black Stars on Canvas, a Reproduction in Acrylic” by Damien Angelica Walters
“She Will Be Raised a Queen” by E. Catherine Tobler
“Yella” by Nicole Cushing
“Yellow Bird” by Lynda E. Rucker
“Exposure” by Helen Marshall
“Just Beyond Her Dreaming” by Mercedes M. Yardley
“In the Quad of Project 327” by Chesya Burke
“Stones, Maybe” by Ursula Pflug
“Les Fleurs Du Mal” by Allyson Bird
“While The Black Stars Burn” by Lucy A. Snyder
“Old Tsah-Hov” by Anya Martin
“The Neurastheniac” by Selena Chambers
“Dancing The Mask” by Ann K. Schwader
“Family” by Maura McHugh
“Pro Patria!” by Nadia Bulkin
“Her Beginning is Her End is Her Beginning” by E. Catherine Tobler & Damien Angelica Walters
“Grave-Worms” by Molly Tanzer
“Strange is the Night” by S.P. Miskowski
If you haven’t gotten your hands on this collection, yet, why not do so now? You can order on Amazon or directly from Chaosium’s site.
For a writer, I feel language evading me to describe the emotional similacrum of awe, wonder, gratitude, humility, and encouragement I have been feeling. It’s unlike anything I’ve ever experienced, and while I acknowledge this energy is ephemeral, I am harnessing it to fuel the next story, and the next after that.
Many thanks to the Judges for nominating this story. (!!!)
So, it is summer again and I’ve let the heat, humidity, and well…frankly, Hannibal keep me from blogging. And, I was doing so well, too!So here, in list form, is what’s been up on the writer side of things. Travel side of things will come later. Eventually. After I consume Season Two, more likely:
Online you will find a few things:
“Vintage Scenes #3: Morellino di Scansano, 2011 Vendemmia” is now available in the latest issue of Mungbeing magazine. This round’s theme is reflections, and although the wine is Tuscan, I couldn’t help but play in Frida Kahlo’s world of scryes a bit. And there’s some local flair in there too, for those who are around.
This interview is in conjunction of Hukilau coverage I did for ATLRetro, where I joined editor Anya Martin to check out the vibe. It was a great vibe. Hadn’t had fun like that in a while, if even ever…. Definitely something to put on repeat.
“The Venus of Great Neck,” is my Jazz-baby Steampunk story written exclusively for ACRONOS II edited by Josué Ramos (Tyrannosauras Books), and is currently only available in Spanish. Although, an English edition is being discussed, and I’ll be sure to throw deets down when they are available.
My series “Wandering Spirits: Traveling Mary Shelley’s FRANKENSTEIN” will be published as a whole in the second issue of NonBinary Review, where Mary Shelley’s seminal novel is the theme. If you haven’t heard of NonBinary Review yet, definitely put this on the radar because…well, their website says it best, so I’m just going to quote from them:
“NonBinary Review uses Lithomobilus, a new type of e-reader that allows for multi-threaded, interactive literature. It allows novelists to tell a story from every point of view. Essayists can comment on other works. Short story writers can add alternate points of view to an existing narrative. Any author can add notes, photos, or other artifacts of the creative process.”
Thanks to editors Allie Marini Batts and Lise Quintana for having me aboard! I am very excited to be a part of this, and to have my letters aside one of my favorite novels of all time. And, if that wasn’t enough, the cover is going to be done by the awesomeness that is Mandem!
You can download the reader here, and check out the first issue–all for free.
Updates on Forthcoming Publications
STEAMPUNK WORLD, edited by Sarah Hans for Alliteration Ink is still steaming along. I am unsure of the final release date, but I do know that James Ng has finished his interior sketches, and I am allowed to share my story “The Şehrazatın Diyoraması Tour.” Also, Alliteration Ink has partnered with BitLit to bundle digital copies with all hardcopy sales, so those who will be receiving print copies as part of their Kickstarter pledge will get a digital copy also, I believe.
A DARKE PHANTASTIQUE edited by Jason V. Brock for Cycatrix Press, containing my short story “Descartar,” should be out by the end of the summer, and is available for pre-order here.
STARRY WISDOM LIBRARY, edited by Nate Pedersen for PS Publishing, containing my short story “Remnants of Lost Empires,” is slated for September 2014. According to Nate’s website, PS Publishing will be launching the tome at FantasyCon. Update can be found at the above link.
I read Nick Mamatas’ LOVE IS THE LAW in one sitting, and have been mulling over what to say about it for months. This book– just like Mamatas’ other books BULLETTIME, MOVE UNDER GROUND, and all of his short stories–stick with you. I don’t think it is because of off-beat characters or novel mash-up concepts, all of which are very good, but it is the authenticity of the voice he uses.
Dawn (the LITL protag)’s voice is so authentic that what I have been preoccupied with since reading it is whether to believe her or not. Obviously, the unreliable narrator is a trope of confessional stories, but what makes Dawn interesting is her voice reminds me of a certain kind of conviction found in sociopaths, schizophrenics, and religious zealots. They believe what they perceive, and don’t even consider convincing anyone of the truth (usually) because they see it before them–the truth is already there. You don’t see it, but they sure do, and they develop a genius for describing and understanding it.
Have you ever spoken to someone convinced of their beliefs? For example, someone who says they talk to God, and further more God responds. When I ask people what this is actually like—do they really have JC or Yahweh on speed dial?–the explanations are always different, and are always found in the reading of the mundane. A sign can be two missionaries approaching a farmer on his land just as he prayed to God for some extra hands, or words that unfolded from the unconscious brain lobes like a fortune cookie. One woman I’ve met who claimed herself a medium told me you could invoke spirits of loved ones (even living ones) by imitating their mannerism until the mannerism became natural….
And I believe all of them. I don’t believe that circumstances are what they think they are, but I believe they believe it is so.
I don’t get this conviction from other dubious narrators I’ve read in the past. With characters like Bateman and Humbert, I feel like they are just screwing with the reader. I feel like Dawn sincerely wants you to know her tale, as delusional as it may seem to us on the outside.
And whether we recognize it or not, we all talk a little crazy. We all read the world formed by our own language. For example, Freedom is a concept like Magick—who is to say either or both exists or don’t—we make them exist by transmuting the abstract into the concrete—we believe.
So, the book made me think about that, and I thought that was pretty cool.
I also really liked the juxtaposition of socialism, punk, and Alistair Crowley not because it is novel, but because I think that is another truth to the character and about any individual belief system. We’re all mash-up characters. A person is composed of her own private belief system comprised of myriad ideas. Having a complex and polyamorous marriage of ideas and beliefs is what makes us complex and hard-to-pin down creatures. For some reason, it is almost impossible to write characters true to life because of this–it is believed readers want it short and simple. But Dawn has a very developed conviction and it makes her background and psychology quite complex among fast-paced plotting.
Some months are quiet, and others are very loud with announcements and such. In the later case, those are often broadcasted reactively as they happen, and get lost in the shuffle of all the other news-bytes out there. So, I thought an end of the month summation would be a nice way to compromise the fragmented with the soft and clamorous, of which, January definitely fell into the former.
First, I am writing this during the polar vortex attack on everywhere, including the South. All day yesterday, people lost their cool as public building closures were gradually announced. Hysterical hyperboles floated from mouth to mouth faster than the flu, and after Atlanta and the more northern Southern areas were dusted with the white stuff, suddenly, we were in for God knows what—a blizzard?
While it has been drizzling sleet, I am sad to say there is no snow. I’m disappointed. The last time it snowed here was in 1989, unless you count that time in college when I saw one solitary snow flake fall and melt on my hand. Both were rare and magical moments. Today, just another cloudy and wet wintry day in North Florida. Even so, the gentle tapping of the sleet against the windows have been comforting, the cat wants to cuddle rather than play all day, and if I am good, I’ll get to have a hot toddy with a friend later on.
I know I am not the only one swathed in blankets and nursing hot tea. So what’s everyone else been up too in January? Does the cold have you down? Or does it have you deep in a book or project? What are you all doing to make the best of it?
Wow. So, I just checked in on Steampunk World, and it is gone, daddy, gone. Not only was it fully funded within its first week, but it is soaring through stretch goal after stretch goal. The most recent tier reached was $12,000, which allows the editors to pay the illustrious James Ng for illustrations for EVERY story in the book! The prospect of having my story “The Şehrazatın Diyoraması Tour” illustrated by James has had me beaming ear-to-ear all morning.
Thank you to everyone who has funded this project, and made it go above and beyond what anyone expected. If you have been on the fence about it, know that anymore proceeds in the next 56 hours will go towards continuing this community movement with a second volume that will have a open call to submissions.