Paul Tremblay on Calls for Submission (PLUS UPDATES)!

THE FINAL COUNTDOWN:  My debut collection, CALLS FOR SUBMISSION, will be released May 15th (but you can pre-order from Pelekinesis now, if you’d like). That isn’t that far away, and to get pumped for the big day, I will be showcasing the awesome blurbs the collection has received. Every author that we queried has influenced me in some vital way, and as a thank you and token of my gratitude for their time and effort, I’ve written a little about each person and what their work has meant to my work.

So there are about 7 days left! In the past week or so, a few developments have occurred. First, more ordering options–including e-book versions–of Calls for Submission were made available. You can view them here.

Since then, Amazon announced it’s new diss to living writers, and I would like to personally urge you to purchase from Pelekinesis directly, or through Powell’s or your local indie bookstore. On those latter two, you may have to request a special order through the store and wait a hot minute, but ultimately you would be helping to defend working artists and contributing to a healthier literary community.  Plus, that would be helping me out too. However you want to do it, many thanks again to those who are pre-ordering!

Speaking of indie bookstores, I am excited to finally announce that I will be reading and discussing Calls for Submission at Tallahassee’s brand new and baller Midtown Reader.  That event will occur on June 16th at 5:30 pm.

Oof, and this was suppose to be about blurbs! It is, it is, my friends. Today’s blurb comes from the man who has single-handedly made Stephen King afraid of the dark:  Paul Tremblay!

selena_chambers-calls_for_submission-paul_tremblay

You all know Paul Tremblay as the best-selling rock star of A Head Full of Ghosts and Disappearance at Devil’s Rocks, but I first became hooked when I found a copy of The Harlequin and The Train at a friend’s house. My friend had already done the interactive bits, so that aspect was spoiled for me, but I got to see the final outcome, and it was just a light bulb for me.

The whole concept of an interactive text like this–mixing play with narrative responsibility and transparency–was just one of the coolest thwartings of how we read and consume mysteries. And it was one of the first contemporary examples of how to thwart and play within genre I’d come across. Something I needed badly at the time. Unfortunately, the experience is lost to a time and a place, as it was a limited edition of 400 copies and isn’t readily available now. But, believe me, the subversion of tropes and pop culture and all sorts of other surrealistic-punk principled goodness permeates in Ghosts and Devil’s Rock (which just came out in paperback). If you haven’t read Paul yet, rectify that now.

 

Publication Notes: CALLS FOR SUBMISSION Pre-order Updates

Yesterday was fun! I learned on Facebook that pre-orders of CALLS FOR SUBMISSION seem to be shipping out a bit early, and are showing up in the wild! I am so excited for everyone to read this, and if you have already pre-ordered, thank you so much and I hope it is enjoyable!

My own author copies also arrived, reminding me that there have been a few developments I’d like to share.

She Arrives
CALLS FOR SUBMISSION  will be released by Pelekinesis on May 15th.

In addition to ordering directly from Pelekinesis, CALLS FOR SUBMISSION is now also available from SPD and the following locations:

If you prefer an ebook:

If you are in Canada, it is also available at Chapters/Indigo. (h/t to Alexis for letting me know!).

While the official release date isn’t until May 15th, it is possible those who pre-order hardcopies might receive their copy sooner, but it isn’t guaranteed.

TO REVIEWERS AND INTERVIEWERS:  I still have a few ARCs available. If you are interested in reviewing CALLS FOR SUBMISSION, drop me a line at: LeFilleHST@gmail.com, or hit me up on Facebook or on Twitter @BasBleuZombie.

Richard Gavin & Orrin Grey on CALLS FOR SUBMISSION

THE FINAL COUNTDOWN:  My debut collection, CALLS FOR SUBMISSION, will be released May 15th (but you can pre-order from Pelekinesis now, if you’d like). That isn’t that far away, and to get pumped for the big day, I will be showcasing the awesome blurbs the collection has received. Every author that we queried has influenced me in some vital way, and as a thank you and token of my gratitude for their time and effort, I’ve written a little about each person and what their work has meant to my work. 

This week features very kind words from two masters whose work I’ve both adored for several years: Richard Gavin, a master of mysticism and the macabre, and Orrin Grey, the master of teratology and the new Gothic.

17211869_1450728204969313_7413569772607125490_o

I am the one who is in awe! I don’t throw around the word mystic loosely. I learned last week that in some literary circles, being termed mystic is anathema. But, man, when I say mystic in regards to an artist, that refers to a very select chosen few (chosen as in not by me, but some higher calling):  Leonora Carrington, William Burroughs, William Blake, Remedies Varo, Percy Shelley, Frida Khalo, Edgar Allan Poe (you balk? Go read Eureka, fool!), etc. You’ll notice those people are all dead. Well, Mysticism, like Poetry, belongs to a dying breed. But there are still a few out there navigating the unseen seas, among them:  Alex Grey, Carrie Ann Baade, and Richard Gavin!

To me, Richard Gavin’s writing is in direct correlation with the darker aspects of Sublimity and Dark Romanticism, all of which often intersects at very strange, mysterious, and alchemical topographies. In his latest collection, SYLVAN DREAD: TALES OF PASTORAL DARKNESS, he explores these topographies, as well as the lies we have told ourselves about Nature to ignore what might be beyond the veil beyond human civilizational presumptions. It was one of the collections that really stuck with me last year. To learn more about his work, please visit his website here.

selena_chambers-calls_for_submission-orrin_grey

Just as Richard Gavin has opened my eyes to the mystical possibilities in writing Weird and speculative fiction, Orrin Grey has brought me more sympathy and understanding to our relationship with monsters. Be it primordial beasts or a B-movie zip-up costume, works like NEVER BET THE DEVILPAINTED MONSTERS, and the non-fiction collection MONSTERS FROM THE VAULT, explore teratology to its fullest, while also staying in commune with the Gothic traditions of Edgar Allan Poe and M. R. James. Check out his skeletal perambulations at his website:  Who Killed Orrin Grey?

Many thanks, Richard and Orrin, for the time and for the words!

Joseph S. Pulver, Sr. on CALLS FOR SUBMISSION

selena_chambers-calls_for_submission-joseph_s_pulver_sr

We’re in the final countdown! In a month, my debut collection CALLS FOR SUBMISSION will be out in the world doing whatever debut collections do (hopefully be read?). And I am doing all the things writers do to try to make that happen (witchy moon spells?).

Seriously, though, so far, it has been going pretty good, and I am very excited about the upcoming date. I am humbled to have received wonderful blurbs from among my favorite writers working today. I am “over moon” to have the above from Joseph S. Pulver, Sr., editor of The Madness of Dr. Caligari and the World Fantasy Nominated Cassilda’s Song. He is also author of A House of Hollow Wounds (which includes some madness of its own in the way of Mallarmé that is sooo good!) among many more great works. You can find more out about Joe here!

Other blurbers include Kat Howard, Livia Llewellyn, Richard Gavin, Ann VanderMeer, Paul Tremblay, Nick Mamatas, and Orrin Grey! As you can see above, my publisher at Pelekinesis, Mark Givens, has made these beautiful blurbs into nifty memes, and I will start unveiling them over the next few weeks. I am also working on some Guest Bloggage and a few local events in Florida, so please stay tuned for developing news and the official book launch May 15th!

If you’d like to get your orders in early, the paperback is now available for pre-order at the Pelekinesis website, and I understand an e-book option will soon follow. And I don’t really know what else to say at the moment, other than a HUGE thank you to everyone who has taken the time to support and encourage this project!

Cover Reveal: Calls for Submission!!!

It’s a book!!!

Light up your cigars, pop the bubbly, and behold my little bundle of horrors, Calls For Submission, my debut collection published by Pelekinesis.

 

cfsfinalcover

I am thrilled that it is adorned by Joan Horne‘s cute & creepy cover, and includes an introduction by Molly Tanzer, and collaborations with Jesse Bullington and Virginia M Mohlere.

Arriving this May.

If you are a reviewer, blogger, or podcaster, and would like an ARC, please contact either me at LeFilleHST[at]gmail[dot]com or Pelekinesis at pelekinesis[at]gmail[dot]com.

And if you are interested in helping me get the word out, please share!

Publishing Notes: 2016: The Year in Review

Reading! Writing! Editing! Yay!  As far as I can recall, this is what I was up too this year in publishing:

Fiction

Last Session

“The Last Session: The Facts in the Case of Clarissa Collyer.” Dunhams Manor Press Limited Edition Chapbook.

Longest fiction written to date. A whole novelette! Hot dang, I will conquer you yet, novel. This is a riff on Poe’s “Facts in the Case of M. Valdemar,” but through the exploration of a mother-daughter relationship estranged by adolescence and cancer, and of course Emo. I got some nice reviews and comments on this one, and I dare say the creep/cry factor is dialed to 11. Many thanks to editor Jordan Krall on letting me give this one the chance to breathe.

“The Şehrazatın Diyoraması Tour.” Reprint for WORDS zine, Hex Publishers. 

This anti-Orientalism Steampunk tale set in Turkey originally appeared in Sarah Hans’ STEAMPUNK WORLD (Alliteration Ink). I was stoked to give the Şehrazat another avenue and be a part of Hex Publishers’ weekly magazine WORDS. There is a lot of great FREE stuff over there–stories by Nisi Shawl, Jason Heller, E. Lily Yu, and Alvaros Zinos-Amaro–so if you haven’t checked them out, you are missing out. Thank you for the opportunity, Josh Viola!

“Arrangement in Juniper and Champagne.” MIXED UP: COCKTAIL RECIPES (AND FLASH FICTION) FOR THE DISCERNING DRINKER (AND READER), edited by Nick Mamatas and Molly Tanzer. Skyhorse, October 2017.

I am proud of this story for several reasons.

First, to be in anything edited by Nick and/or Molly has been on my goals list for a while, and many thanks to them for liking and accepting the story!

Second, all I really ever want to do is write fiction about cocktails, in this case the French 75.

Third, I’d been reading a lot of and about Hemingway this year, and had been toying with the Iceberg idea–something like “Hills Like White Elephants,” but from only women’s perspectives. Pair this with the constant ostracizing of women who don’t want to have children ever (by women), or define their being by their sexual prowess, or dream of fairy tale love to be complete–you got “Arrangement in Juniper and Champagne.”

Fourth, I had no idea what was coming in November, so I feel this was sort of a preamble for whatever changes to my writing that may bring. Read More