“Selena Chambers Delivers Sharp Prose in Calls for Submission” was written by Acep Hale, and ran on Lovecraft eZine on June 8.
I am excited to be on tonight’s Lovecraft Ezine Chat where I’ll be joining Mike Davis, Acep Hale, and crew to discuss my short story collection, Calls for Submission,and all the dark, sundry things within.
If you’d like to tune in LIVE you can do so here at 6 pm EST: https://youtu.be/9GtcQ-Vsw14. But if you can’t catch it (because like, you are at HPLFF), you can always catch it later on in the week. There will be a podcast version available too, which I will post once I have the relevant linky links.
In June, Calls for Submission received another glowing review from Lovecraft eZine’s Acep Hale, who calls it: “the showcase of a writer with a deliberate and considered world view, intensely honed craft, and a calculated message. My only hope is the next work I read by her is of novel length.” I hope so, too!
This review is very thorough, touching on all of the stories, and hits on many points and intentions I had hoped readers would enjoy. It’s also the first time I’ve ever been compared to anyone in hip-hop, which is unexpected and also really fucking cool. I’ve always been humbled to find myself compared to a lot of awesome people in the past, but Ghost Face Killah alongside Gabrielle Wittkop, Leonora Carrington, and Francesca Woodman all in one swoop blows my mind!
Many thanks to Mr. Hale, Mike Davis, and Lovecraft eZine for giving Calls for Submission the attention and space!
Last week, an interview with Adrian Van Young went live at Electric Lit! In its introduction he calls Calls for Submission“a creepy-sad, smart and courageous collection that stimulates the intellect while inexorably pulling and pulling the heartstrings.” In addition to the collection, we discuss “reclaiming literary territory, “the female glance,” being a hot-weather Goth, Florida weirdness, and the non-intersectionality of literary circles.”
This is sort of a first. I did plenty of interviews in the past when I was promoting The Steampunk Bible, but they always focused on the artists and makers we featured in that book. I’ve never really had to discuss myself or my own work up until this past few months and I have to say it is way different and more difficult to do that than to discuss the work of others. In the few instances I have been interviewed about my own work, usually the person has never read me, and that is even harder…BUT, in the case of Adrian Van Young, not only did he come prepared, he put the screws to me in the best of ways. When we finished the interview, conducted via email, I was left empowered by more knowledge of myself and my work than going in. That’s testament to an excellent interviewer, and I am very grateful to Mr. Van Young for his thorough questioning and conversation, and for Electric Lit for the space and support!
Next week, I’m heading down to the Southernmost part of the US to participate in the 37th annual Hemingway Days!
There are a lot of events throughout the week, and I am excited to be part of Wednesday’s evening readings alongside some of Florida’s best! Because speculative fiction isn’t exactly associated with Hemingway, I will be doing a mini-presentation on how his interest in pulp, crime, and action, alongside other aspects of craft, inspired some facets of my fiction. If you are in the Keys for vacation or for Papa festivities, please come by and say hi!
Here are the details, and you can find out about the rest of the events here:
7:30-10 p.m. “Voices, Places, Inspirations.” This evening of readings features authors Chuck Ball, Selena Chambers, Mandy Miles and Terry Schmida — plus a highlight appearance by Ted Geltner, author of “Blood, Bone and Marrow: A Biography of Harry Crews.” Presented by Literacy Volunteers of America-Monroe County, the event also includes a “meet the authors” reception. Key West Woman’s Club, 319 Duval St.
I am also excited to be near water. I haven’t traveled too much this year, and so I am ready to take it all in: the Symposiums, the literary pilgrimages, the Daiquiris, and of course the beauty of the Straits.
Longest fiction written to date. A whole novelette! Hot dang, I will conquer you yet, novel. This is a riff on Poe’s “Facts in the Case of M. Valdemar,” but through the exploration of a mother-daughter relationship estranged by adolescence and cancer, and of course Emo. I got some nice reviews and comments on this one, and I dare say the creep/cry factor is dialed to 11. Many thanks to editor Jordan Krall on letting me give this one the chance to breathe.
This anti-Orientalism Steampunk tale set in Turkey originally appeared in Sarah Hans’ STEAMPUNK WORLD (Alliteration Ink). I was stoked to give the Şehrazat another avenue and be a part of Hex Publishers’ weekly magazine WORDS. There is a lot of great FREE stuff over there–stories by Nisi Shawl, Jason Heller, E. Lily Yu, and Alvaros Zinos-Amaro–so if you haven’t checked them out, you are missing out. Thank you for the opportunity, Josh Viola!
“Arrangement in Juniper and Champagne.” MIXED UP: COCKTAIL RECIPES (AND FLASH FICTION) FOR THE DISCERNING DRINKER (AND READER), edited by Nick Mamatas and Molly Tanzer. Skyhorse, October 2017.
I am proud of this story for several reasons.
First, to be in anything edited by Nick and/or Molly has been on my goals list for a while, and many thanks to them for liking and accepting the story!
Second, all I really ever want to do is write fiction about cocktails, in this case the French 75.
Third, I’d been reading a lot of and about Hemingway this year, and had been toying with the Iceberg idea–something like “Hills Like White Elephants,” but from only women’s perspectives. Pair this with the constant ostracizing of women who don’t want to have children ever (by women), or define their being by their sexual prowess, or dream of fairy tale love to be complete–you got “Arrangement in Juniper and Champagne.”
Fourth, I had no idea what was coming in November, so I feel this was sort of a preamble for whatever changes to my writing that may bring. Read More
This one fell through the blogging cracks for some reason. Nonetheless, this roundtable curated and conducted by Acep Hale is a great vehicle for showing how nuanced the horror genre is, but also how many voices are out there improvising it.
I was honored to be part of the “Quiet Horror” panel with Kristi DeMeester, C.M. Muller, Nathan Carson, and Mehitobel Wilson.
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