I am excited to be on tonight’s Lovecraft Ezine Chat where I’ll be joining Mike Davis, Acep Hale, and crew to discuss my short story collection, Calls for Submission,and all the dark, sundry things within.
If you’d like to tune in LIVE you can do so here at 6 pm EST: https://youtu.be/9GtcQ-Vsw14. But if you can’t catch it (because like, you are at HPLFF), you can always catch it later on in the week. There will be a podcast version available too, which I will post once I have the relevant linky links.
Liked what you read? Please leave a review at Amazon & Goodreads! Or share on your social network. The hashtag for the book is #CFSBOOK. You can find me and Pelekinesis on Twitter and Instagram at: @BasBleuZombie & @Pelekinetic.
Pleased as punch that my story “Body to Body to Body” will be part of Innsmouth Free Press’ SHE WALKS IN SHADOWS, the first all-ladies writing about Lovecraft’s ladies anthology. Each author was assigned a specific character to treat, and my challenge was extracting 4000 words out of Eunice Babson, who exists on the pages of “The Thing on the Doorstep” in only three sentences, all involving the word “wench.” Many thanks to editors Silvia Moreno-Garcia and Paula R. Stiles for having me and throwing me the challenge.
As per usual with Innsmouth Free Press, the cover (by Sarah K. Diesel) is stunning, and the roster dazzling. Behold!
Table of Contents
“Bitter Perfume” Laura Blackwell
“Violet is the Color of Your Energy” Nadia Bulkin
“Body to Body to Body” S. J. Chambers
“De Deabus Minoribus Exterioris Theomagicae” Jilly Dreadful
“Hairwork” Gemma Files
“The Head of T’la-yub” Nelly Geraldine García-Rosas (translated by Silvia Moreno-Garcia)
“Bring the Moon to Me” Amelia Gorman
“Chosen” Lyndsey Holder
“Eight Seconds” Pandora Hope
“Cthulhu of the Dead Sea” Inkeri Kontro
“Turn out the Lights” Penelope Love
“The Adventurer’s Wife” Premee Mohamed
“Notes Found in a Decommissioned Asylum, December 1961″ Sharon Mock
“The Eye of Jupiter” Eugenie Mora
“Ammutseba Rising” Ann Schwader
“Cypress God” Rodopi Sisamis
“Lavinia’s Wood” Angela Slatter
“The Opera Singer” Priya Sridhar
“Provenance” Benjanun Sriduangkaew
“The Thing in The Cheerleading Squad” Molly Tanzer
“Lockbox” Elise Tobler
“When She Quickens” Mary Turzillo
“Shub-Niggurath’s Witnesses” Valerie Valdes
“Queen of a New America” Wendy Wagner
Interior artwork by
Lisa A. Grabenstetter
So, it is summer again and I’ve let the heat, humidity, and well…frankly, Hannibal keep me from blogging. And, I was doing so well, too!So here, in list form, is what’s been up on the writer side of things. Travel side of things will come later. Eventually. After I consume Season Two, more likely:
Online you will find a few things:
“Vintage Scenes #3: Morellino di Scansano, 2011 Vendemmia” is now available in the latest issue of Mungbeing magazine. This round’s theme is reflections, and although the wine is Tuscan, I couldn’t help but play in Frida Kahlo’s world of scryes a bit. And there’s some local flair in there too, for those who are around.
This interview is in conjunction of Hukilau coverage I did for ATLRetro, where I joined editor Anya Martin to check out the vibe. It was a great vibe. Hadn’t had fun like that in a while, if even ever…. Definitely something to put on repeat.
“The Venus of Great Neck,” is my Jazz-baby Steampunk story written exclusively for ACRONOS II edited by Josué Ramos (Tyrannosauras Books), and is currently only available in Spanish. Although, an English edition is being discussed, and I’ll be sure to throw deets down when they are available.
My series “Wandering Spirits: Traveling Mary Shelley’s FRANKENSTEIN” will be published as a whole in the second issue of NonBinary Review, where Mary Shelley’s seminal novel is the theme. If you haven’t heard of NonBinary Review yet, definitely put this on the radar because…well, their website says it best, so I’m just going to quote from them:
“NonBinary Review uses Lithomobilus, a new type of e-reader that allows for multi-threaded, interactive literature. It allows novelists to tell a story from every point of view. Essayists can comment on other works. Short story writers can add alternate points of view to an existing narrative. Any author can add notes, photos, or other artifacts of the creative process.”
Thanks to editors Allie Marini Batts and Lise Quintana for having me aboard! I am very excited to be a part of this, and to have my letters aside one of my favorite novels of all time. And, if that wasn’t enough, the cover is going to be done by the awesomeness that is Mandem!
You can download the reader here, and check out the first issue–all for free.
Updates on Forthcoming Publications
STEAMPUNK WORLD, edited by Sarah Hans for Alliteration Ink is still steaming along. I am unsure of the final release date, but I do know that James Ng has finished his interior sketches, and I am allowed to share my story “The Şehrazatın Diyoraması Tour.” Also, Alliteration Ink has partnered with BitLit to bundle digital copies with all hardcopy sales, so those who will be receiving print copies as part of their Kickstarter pledge will get a digital copy also, I believe.
A DARKE PHANTASTIQUE edited by Jason V. Brock for Cycatrix Press, containing my short story “Descartar,” should be out by the end of the summer, and is available for pre-order here.
STARRY WISDOM LIBRARY, edited by Nate Pedersen for PS Publishing, containing my short story “Remnants of Lost Empires,” is slated for September 2014. According to Nate’s website, PS Publishing will be launching the tome at FantasyCon. Update can be found at the above link.
A few days ago, the indiegogo campaign to fund the first all-ladies anthology featuring all stories about Lovecraft’s women was fully funded! Now, with about 66 hours left, the campaign has kicked into a stretch-goal of $9,000 before it closes. That extra grand will go towards commissioning illustrations from female artists, and it looks like there’s only about $500 more to go before that is achieved.
I am afraid I do not know details about artist selection/submission, and all that, and that should be taken up with editor Silvia Moreno-Garcia, but I am really looking forward to seeing women illustrators represented in this sandbox, as they are perhaps even more overlooked in Lovecraftiana than female writers.
I know I’ve said it before, but I am excited to be a part of a very impressive TOC, and I wouldn’t be doing it without Silvia’s leadership and our readers support–so, a big thank you to everyone who tolerated my blasting of this campaign, who shared and linked to it, and the biggest thanks of all to everyone who threw their money at it.