RELEASE DAY: CALLS FOR SUBMISSION now available from Pelekinesis!!! Here’s how you can help!

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IMPORTANT LINKS:

CALLS FOR SUBMISSION can be ordered from the publisher directly: Pelekinesis,

But it is also available from SQUARE and SPD and the following locations:

Prefer an ebook? Yes m’am, we can do that:

Liked what you read? Please leave a review at Amazon & Goodreads! Or share on your social network. The hashtag for the book is #CFSBOOK. You can find me and Pelekinesis on Twitter and Instagram at: @BasBleuZombie & @Pelekinetic.

Thank you, again!

 

 

 

 

 

Reading Notes: More recommendations for the Women Surrealist Survival Kit

Wow. What a day! The response to “The Women Surrealists Helping Me Through Our New Political Reality” received a great response! I have spent the day nerding out about Women Surrealists, and finding out many other people have been dealing with similar feelings about how to creatively approach the nonce insanity. Thank you so much to everyone who read, commented, tweeted, retweeted, and shared on FB!

As a thanks, I’m posting a little bonus addendum to the piece. First, if you’d like to read more about Leonora Carrington’s quote about the Surrealist Survival Kit, it was part of a series of conversations Penelope Rosemont had with Carrington towards the end of her life. Published as “A Revolution in the Way We Think and Feel—Conversations with Leonora Carrington,” you can find it in Ron Sakolsky’s Surrealist Subversions: Rants, Writings and Images by the Surrealist Movement in the United States.

While I recommended 3 books in the article, my original draft had 5. I cut two of them for length, but still find them essential writings for my kit.

Insel, Mina Loy, Melville House, 2014

LoyAn interesting aspect about Women’s Surrealism is that many members evaded the Feminist label. Not Mina Loy. She made it her mission to polish the flaws she saw in its ideology not only writing blatantly about enjoying sex, but also by observing, documenting, and subverting the various roles of womanhood. You could say that she set down the intellectual premise all women surrealists would follow in her “Feminist Manifesto,”: “Leave off looking to men to find out what you are not —seek within yourselves to find out what you are.”

Insel is a feminist response to Breton’s Nadja, and the male Surrealist concept of amour fou and the femme enfant applied to the Surrealist Woman. In Insel, these dynamics are flipped. The narrator Mrs Jones is not a woman-child, but a widow in her fifties, dependent on her children, firmly established in her career, and creatively bored. The one thing she has is an established reputation and far-reaching influence, which attracts a young, German junky mystic, Aaron Insel. While he then, becomes the homme enfant, he is physically repulsive. It is Insel’s unhinged perspective that appeals to Jones, and eventually she begins supporting him. It doesn’t end well, of course, but what is important is that throughout the novel, Mrs. Jones holds all the cards—she has all the money, she has the career, connections, and experience Insel most covets.

That isn’t why I have this in the kit, though. While this is something of an anti-romance, Loy uses the notion of mad love to show its true delusion. Mrs. Jones uses her relationship with Insel to distract and confront her aging, as well as how society and art movements dismissed women of a certain age.

The Diary of Frida Kahlo: An Intimate Self-Portrait, Abrams, 2005

KahloYou won’t find any gossip here. Reproduced in full-color facsimile and in translation, Khalo’s diary is a full testament to internal fulfillment. It has no concern for dates or time and is a straight connection to her creative mind. On the page you can see her exploring and meshing Greek mythology with Meso-American folklore, lists of associations and puns, days described only in nouns, and poignant spatial mediations like that on the loss of her leg.

While it’s part of legend that Kahlo used her art as therapy to cope with lifelong health complications and mobility limitations, in this diary you see the messy and raw work that went into the final finessed products. You also get to see all of the doubts and anxieties that echo our own creative worries. Towards the end of her life, after having only seven operations on her back in one year, she reprimands herself for not doing enough, or being relevant enough: “Above all I want to transform it [her work] into something useful for the Communist revolutionary movement, since up to now I have only painted the earnest portray of myself, but I’m very far from work that could serve the Party.” And yet…and yet! Those earnest portrayals that analyzed her most intimate tragedies while upcycling Mexican folklore and remixing post-colonial history, have served, nourished, and inspired within more than one political ideation. It achieved a new universality, and that universality was feminine.

 

Publication Notes: CALLS FOR SUBMISSION Pre-order Updates

Yesterday was fun! I learned on Facebook that pre-orders of CALLS FOR SUBMISSION seem to be shipping out a bit early, and are showing up in the wild! I am so excited for everyone to read this, and if you have already pre-ordered, thank you so much and I hope it is enjoyable!

My own author copies also arrived, reminding me that there have been a few developments I’d like to share.

She Arrives
CALLS FOR SUBMISSION  will be released by Pelekinesis on May 15th.

In addition to ordering directly from Pelekinesis, CALLS FOR SUBMISSION is now also available from SPD and the following locations:

If you prefer an ebook:

If you are in Canada, it is also available at Chapters/Indigo. (h/t to Alexis for letting me know!).

While the official release date isn’t until May 15th, it is possible those who pre-order hardcopies might receive their copy sooner, but it isn’t guaranteed.

TO REVIEWERS AND INTERVIEWERS:  I still have a few ARCs available. If you are interested in reviewing CALLS FOR SUBMISSION, drop me a line at: LeFilleHST@gmail.com, or hit me up on Facebook or on Twitter @BasBleuZombie.